teer-e-nigahain ka nishana dhundega,
mujhko mere baad zamana dhundega."
A versatile singer, Rafi sang in many Indian languages. His songs, which still remain very popular in India today and also among the Indian diaspora. He was the man him self and he solely dominated the music industry from the 1950s to the 1970s and Mukesh, Manna De and Kishore Kumar used to follow him .
Rafi recorded song for the 1945 film Gaon ki Gori, "Aji dil ho kaaboo mein". He considered this song his first Hindi language song.Rafi was first noted for the song "Tera Khilona Toota Balak" from Mehboob Khan's Anmol Ghadi (1946). His duet with Noor Jehan in the 1947 film Jugnu, "Yahan Badla Wafa Ka" became a hit.
In 1948, Rafi sang "Sun Suno Aye Duniya Walon Bapuji Ki Amar Kahani", written by Rajendra Krishna, which became a huge hit. He was invited by the Indian Prime Minister, Jawaharlal Nehru, to sing at the latter's house. In 1948, Rafi received a silver medal from Nehru on the Indian Independence Day. In 1949, Rafi was given solo songs by music directors such as Naushad, (Chandni Raat, Dillagi and Dulari) Shyam Sunder (Bazaar) and Husnalal Bhagatram (Meena Bazaar).
" aaj purani raho se koi mujhe awaz na de,
dard me dube geet na de,
gham ka jhijhakta saaz na de "
" Meri awaz suno, payar ka raz suno,Maine ek phool jo sine me saja rakhha tha,
Us ke parde me tumhe dil me laga rakhha tha,
Tha juda sabse meri ishq ke andaaz suno,
meri awaz suno "
Rafi's association with Naushad helped the former establish himself as one of the most prominent playback singers in Bollywood. Songs from Baiju Bawra (1952) like "O duniya ke rakhwale" and "Man tarpat Hari darshan ko aaj" furthered Rafi's credentials. Naushad, who had been using Talat Mahmood for his songs, began favoring Rafi as the male voice in almost every song composed by him. Rafi would sing a total of 149 songs (81 of them solo) for Naushad.
In the late 1950s and 1960s, Rafi found favor with other notable composers of the era such as O. P. Nayyar, Shankar Jaikishan and S.D. Burman. Burman patronized Rafi as the singing voice of Dev Anand. Rafi worked with Burman in movies like Tere Ghar ke Saamne (1962), Pyaasa (1957), Kaagaz Ke Phool (1959), Guide (1965), Aradhana (1969), and Abhimaan (1973). O. P. Nayyar was so impressed with Rafi that he got Rafi to sing a song Man mora baawara for singer-actor Kishore Kumar, in the movie Raagini. Later, Rafi would sing for Kishore Kumar in movies such as Baaghi, Shehzaada and Shararat when the the latter was so busy with acting that he didn't have time to record his own songs. O. P. Nayyar employed Rafi and Asha Bhosle for most of his songs. The team created many hit songs in early 1950s and 1960s for movies such as Naya Daur (1957), Tumsa Nahin Dekha (1957) and Kashmir Ki Kali (1964). Rafi sang a total of 197 numbers (56 solo) for O P Nayyar. The combination of Shankar Jaikishan and Rafi is noted for the songs picturized on Rajendra Kumar. Rafi sang a total of 341 numbers (216 solo) for Shankar-Jaikishan.
Rafi got his first Filmfare Award for the title song of Chaudhvin Ka Chand (1960), composed by Ravi. He got his first National Award for the song Babul Ki Duaen Leti Ja from the film Neel Kamal (1968), also composed by Ravi. Ravi and Rafi produced several other hit songs, in the films China Town (1962), Kaajal (1965), and Do Badan (1966). Madan Mohan was another composer whose favorite singer was Rafi. Rafi's first solo with Madan Mohan in Ankhen (1950), "Hum ishq mein barbad hain barbad rahenge", was a great hit. They teamed up to produce many hit songs including "Teri Aankhon ke Siva", "Rang aur noor ki baraat", "Yeh Duniya Yeh Mehfil" and "Tum Jo Mil Gaye Ho". The composer duo Laxmikant-Pyarelal ("L-P") also patronized Rafi as one of their leading singers from their very first film, Parasmani (1963). Both Rafi and L-P won the Filmfare Awards for the song "Chahoonga main tujhe saanjh savere" from Dosti. Rafi sang a total of 369 numbers (186 solo) for LP. Rafi sang for many lesser-known composers as well. Once, when composer Nisar Bazmi did not have enough money to pay him, Rafi charged a fee of one rupee and sang for him.
The 1960s witnessed the straining of relations between Rafi and Lata Mangeshkar. Lata had wanted Rafi to back her in demanding a half-share from the five percent song royalty that the film's producer conceded to select composers. But Rafi took a diametrically opposite view, and believed that a playback singer's claim on the filmmaker ended with the payment of the agreed fee for the song. During the recording of "Tasveer Teri Dil Mein" (Maya, 1961), Lata argued with Rafi over a certain passage of the song. Rafi felt belittled, as music director Salil Chowdhury sided with Lata. The situation worsened when Lata Mangeshkar declared that she would no longer sing with Rafi. Rafi stated that he was only so keen to sing with Lata as she was with him. Later, at the insistence of S. D. Burman the two decided to reconcile and sing duets; on a personal level, there was still tension. During his last years, Rafi was involved in a controversy over Lata Mangeshkar's introduction in to the Guinness Book of World Records. In a letter dated June 11, 1977 to the Guinness Book of World Records, Rafi had challenged the claim that Lata Mangeshkar has recorded the maximum number of songs ("not less than 25,000" according to Guinness). After receiving a rather escapist reply from Guinness, in a letter dated November 20, 1979, he wrote: "I am disappointed that my request for a reassessment vis-a-vis Ms Mangeshkar's reported world record has gone unheeded.". After Rafi's death, in its 1984 edition, the Guinness Book of Word Records stated Lata Mangeshkar's name for the "Most Recordings" but also stated: "Mohammad Rafi ( 1 Aug 1980) claimed to have recorded 28,000 songs in 11 Indian languages between 1944 and April 1980.". Many fans of Rafi state that he has sung over 28,000 songs. However, according to the available figures, Rafi has sung 4,516 Hindi film songs, 112 non-Hindi film songs, and 328 private (non-film) songs from 1945 to 1980. The Guinness Book entries for both Rafi and Lata were later removed in 1991.
Between 1950 and 1970, Rafi was one of the most sought after singers in Bollywood. He sang for all the major male stars in Hindi films. In 1965, he was honoured by the Government of India with the Padma Sri award. Rafi recorded two Hindi songs in English on 7" release in 1968. He also sang a song in Creole while on his visit to Mauritius in the late 1960s. Rafi recorded two English albums as well. One of them is Pop Hits. In Bollywood, yodeling is generally associated with Kishore Kumar but Rafi introduced yodeling in Indian film as playback singing before Kishore Kumar took it to a whole different level and perfected it. Rafi yodeled in some of old songs, such as "Hello sweety seventeen" (duet with Asha Bhosle), "O Chale ho kaha", "Dilke Aine main", and "Unse Rippy Tippy Ho gayee" (duet with Geeta Dutt).
During 1971-1976, Rafi's musical output decreased; however, he did deliver several hits. Some of Rafi's popular songs of the early 1970s were with music directors like Laxmikant Pyarelal, Madan Mohan, R. D. Burman and S. D. Burman. These include "Yeh Duniya Yeh Mehfil" from Heer Ranjha (1970), "Chura Liya Hain Tumne" from Yaadon Ki Baarat (1973), "Yeh Jo Chilman Hain" and "Itna to Yaad Hain Mujhe" from Mehboob Ki Mehndi (1971), "Tum Jo Mil Gaye Ho" from Hanste Zakhm (1973), "Gulabi Aankhen" from The Train, Aaj Mausam bada Beimaan hai from Loafer (1973), and "Jhilmil Sitaron ka" from Jeevan Mrityu (a duet with Lata Mangeshkar, 1974).
Rafi made a comeback as a leading singer in the mid-1970s. In 1974, he won the Film World magazine Best Singer Award fo
r the song "Teree Galiyon Mein Na Rakhenge Qadam Aaj Ke Baad" (Hawas) composed by Usha Khanna.In 1977, he won both Filmfare Award and the National Award for the song "Kya Hua Tera Wada" from the movie Hum Kisi Se Kum Nahin, composed by R. D. Burman.[9] Rafi sang for Rishi Kapoor in films like Amar Akbar Anthony (1977), Sargam (1979) and Karz (1980). The qawwali "Pardah Hai Pardah" from Amar Akbar Anthony (1977) was a superhit. Rafi's notable renderings in the late 1970s and early 80s include Laila Majnu (1976), Apnapan (1978), Qurbani, Dostana (1980), The Burning Train (1980), Naseeb (1981), Abdullah (1980), Shaan (1980), and Asha (1980). Rafi's comeback phase had once again brought him back as a leading playback singer.On Thursday, July 31, 1980, Rafi died at 10:50 p.m., following a massive heart attack. His last song was "Shaam phir kyun udaas hai dost" (Aas Paas), which he had recorded with Laxmikant-Pyarelal several days before his death. He was survived by four sons (Saeed Rafi, Khalid Rafi, Hamid Rafi, Shahid Rafi), 3 daughters (Parveen, Nasreen, Yasmin) and 18 grandchildren.
Naushad wrote on Rafi's Death-
" Goonjte hai teri awaz ameero ke mahal me.
jhopro ki gharibon me bhi hay tere saaz,
yu to apne mousiki par sab ka fakr hota hai
magar ay mere saathi mousiki ko bhi aaz tujh paar naaz hai "
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